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The Beth Alfa Synagogue

Situated among the numerous sites in the Jezreel Valley, Beth Shean, a vast necropolis, shelters the tombs of the great masters of the Talmud of that period; Kokhav ha-Yarden, also known as the Belvoir Fortress, gives you an idea of the presence of the Crusaders in Palestine; kibbutz Heftziba (founded in 1922), which is adjacent to kibbutz Beth Alfa (founded in 1921) at the foot of Mount Gilboa, is the site of the vestiges of a synagogue that dates back to the 6th century. Twenty-eight meters long and forty meters wide, it includes a central nave, two side aisles and an apse. The floor is paved with a mosaic that is among the best preserved in the country. During the excavations, two inscriptions were discovered at the entrance: the one in Aramaic traces it to the period of the reign of the Emperor Justinian the 1st (518 – 527); the other in Greek displays the names of the artisans: « In honor of the two artists who realized this project with perfection, Maianos and his son Hanina. » The mosaic in the nave is composed of three panels: the first represents the sacrifice of Isaac – the test of faith to which God submitted Abraham:

The sacrifice of Isaac

Resolved to test Abraham, God said to him: « Abraham! » He replied: « Here I am. » He continued: « Take your son, your only son whom you love, Isaac, and go to the land of Moriah and offer him there for a burnt offering upon one of the mountains, which I will indicate. » And Abraham rose early in the morning and saddled his ass and took two of his young men and his son Isaac with him; he chopped some wood for the burnt offering, rose and set out for the place that the Eternal had indicated. On the third day, Abraham lifted his eyes and saw the place from afar. He said to his young men: « Stay here with the ass while I and the lad go over there to prostrate ourselves and then return to you. » Abraham took the wood for the burnt offering and laid it upon his son Isaac and took the fire and the knife in his hands and they went together. Isaac spoke to his father, Abraham, and said: «Father! » And he replied: « Here I am, my son. » And he said:
« We have the fire and the wood, but where is the lamb for the burnt offering? » And Abraham replied: « My son, God will provide for Himself the lamb for the burnt offering. » And they went off together. They arrived at the place that God had indicated. Abraham built an altar there, laid out the wood, bound his son, Isaac, and laid him on the altar over the wood. He stretched out his hand and took the knife to prepare to sacrifice his son when an angel of the Eternal called out to him from heaven saying: «Abraham! Abraham! » He replied: « Here I am! » And He said: « Do not lay your hands on the lad, nor do anything to him! For now I know that you fear God since you have not withheld your son, you only son from me! » Abraham lifted up his eyes and saw a ram caught in the thicket by his horns. And Abraham took the ram and offered it up as a burnt offering in place of his son. […] The angel of the Eternal called out to Abraham from heaven a second time saying: « I swear to myself, says the Eternal, that because you have not withheld your son, your only son, I will greatly bless you and I will multiply your seed exceedingly like the stars in heaven and the sand upon the seashore and your descendents will take possession of the gates of their enemies. All the nations of the earth will be blessed through your seed because you heard my voice. »

Genesis 22: 1 – 18


The pavement of the mosaic depicts Abraham pointing a knife at Isaac who is squatting near an altar that has a fire burning upon it; a ram is tied to a tree and the hand of God stands out among the sunrays. The theme of the sacrifice of Isaac has not ceased to inspire thinkers, artists and writers. The Danish author, Soeren Kierkegaard (1813 – 1855), dedicates some fascinating pages to him in the name of the most important theologians of the 19th century. Kierkegaard asked himself in Fear and Trembling: «But if the solitary figure that ascended the slope of Moriah, whose summit surpasses the Aulide Plain over the height of heaven, is not walking like a sleep-walker calmly upon the abyss, while at the foot of the mountain, they lift their eyes, trembling with anxiety, with veneration and with horror, without daring to call out to him: if the man was confused, he was mistaken! » Israeli poetry is also sensitive to the rich symbolism of this theme. Haim Guri declares that if Isaac was not sacrificed, his descendents will be: « They are born, he wrote, with a knife in their hearts. »

The singularity of Israel

The second panel of the mosaic represents a Zodiac wheel around a sun – the god Helios? - riding a wagon drawn by four horses. The names of the different signs appear in Hebrew, while those of the four seasons appear in the corners under the bust of a winged woman covered with jewels. The motifs of this painting, which are at variance with the religious interdiction to depict human faces and to participate in astral rituals that are considered to be an expression of idolatry, intrigue researchers. Echoes of the controversy provoked by astrological determinism among the sages of the Talmud are perceptible in this passage:

  The singularity of Israel

Rabbi Hanina said: « Wisdom and health depend on the heavenly bodies and there is, moreover, one that corresponds to Israel. » But Rabbi Yohanan said: « Israel does not depend on heavenly bodies nor on the signs of the Zodiac for it is written: “Do not learn the ways of the nations and do not be dismayed at the signs of heaven; for the nations are dismayed at them.” (Jeremiah 10:2) The nations are dismayed; Israel is not. » Rav agreed with Rabbi Yohanan since Rabbi Yehuda said in his name: « How do we know that the Israelites are not subject to the heavenly bodies? Because it is written: “ God brought Abraham outside and said: Look towards heaven and count the stars: can you evaluate their number? He continued: ‘So will your descendents be.’” (Genesis 5:5) Abraham then replied: “In the astrological books, I saw that I will not have any descendents.” God retorted: “Leave your astrology! The Israelites are not subject to the heavenly bodies…”»

TB Sabbath 156a

The liberty of Israel

The destiny that its faith in God carves out for Israel will suppress what the stars have in store for it as illustrated by this Talmudic legend:

  The liberty of Israel


Rav Hanuna recounted: « A convert well versed in astrology had to leave on a voyage. [Having consulted the stars and having seen that the time was not favorable], he first asked himself: “How can I leave now?” But he reconsidered it: “Am I not bound to dismiss these practices now that I adhere to the holy community [of Israel]? All the same, we will leave now and to God’s grace.” Passing a region rife with wild animals [he saves his life] only by leaving them his ass. »

How can one explain that he had taken a risk?
- Because of his astrological beliefs. – How can we explain that he had survived? - Thanks to his confidence in the Creator. Levi also declared: «Everyone that foretells his end through divination will end up knowing that end. »

TJ Sabbath 6

The virtue of iconoclasm


The opposition to images and astral rituals is inscribed in the prohibition to make oneself a representation of God. According to the following passage by Martin Buber, a 20th century Jewish philosopher, monotheism itself will be the primary iconoclast that does not cease to challenge representations of God:

The virtue of iconoclasm


Idols must incessantly be crushed – iconoclasts also cherish a vocation. They rebel against the elevation of an image, in which one no longer believes, over men in order to demand worship. In their aspiration towards God, men do not cease to offer images that are increasingly greater, more authentic, more exact, and more glorious than the precedents and that, in the end, turn out to be less satisfying.

The commandment, « Do not make yourself any image » also means « You cannot make yourself an image ». This not only refers to common painted or sculpted images, but also to our fantasy, to the power of our imagination. Nevertheless, man does not cease to make images – and to destroy them when he realizes that he has not succeeded.

The images collapse, but the voice is never silenced […]. It speaks to men in every generation, presenting them with their obligations and the burden of their responsibilities. […] It is of the utmost importance to remain open. To be open signifies to not drown out the voice regardless of the name that we give it. His name, moreover, is of no importance. What matters is that you hear it.

M. Buber, Prejudices of Youth,
Israel and the World

 

The third panel on the pavement depicts a holy ark illuminated by an eternal light with two birds perched upon its gables. A lion and a menorah - a candelabra with seven branches, are mounted on it. Some lulavim - palm branches, some etrogim - citrons, a shofar - a ram’s horn, some censers and some other traditional symbols of the Jewish faith frame the ark.

 



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